<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1885-5210</journal-id>
<journal-title><![CDATA[Revista de Medicina y Cine]]></journal-title>
<abbrev-journal-title><![CDATA[Rev Med Cine]]></abbrev-journal-title>
<issn>1885-5210</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Salamanca]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1885-52102023000100006</article-id>
<article-id pub-id-type="doi">10.14201/rmc.31200</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Evolution of the representation of the dentist in cinema]]></article-title>
<article-title xml:lang="es"><![CDATA[Evolución de la representación del dentista en el cine]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Vidal]]></surname>
<given-names><![CDATA[Cyril]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="A">
<institution><![CDATA[,  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>03</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>03</month>
<year>2023</year>
</pub-date>
<volume>19</volume>
<numero>1</numero>
<fpage>53</fpage>
<lpage>60</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.isciii.es/scielo.php?script=sci_arttext&amp;pid=S1885-52102023000100006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.isciii.es/scielo.php?script=sci_abstract&amp;pid=S1885-52102023000100006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.isciii.es/scielo.php?script=sci_pdf&amp;pid=S1885-52102023000100006&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Over the years and with the evolution of cinema, the representations of the dentist have also evolved. From silent to talking pictures, from black and white to colour, from Hollywood to European cinema, we have tried to identify the characteristics of the dentist in the films. From being a secondary and anecdotal character, he has now become the protagonist of choice. From a caricature and a scripted argument, the dentist has gradually become a complex protagonist. The public's perception of the dental profession is influenced by these changes, giving hope for a better relationship between patients and dentists, with the aim of improving oral public health.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen A lo largo de los años y con la evolución del cine, las representaciones de los dentistas también han evolucionado. Desde el cine mudo hasta el sonoro, desde el blanco y negro hasta el color, desde Hollywood hasta el cine europeo, hemos tratado de identificar las características del dentista en las películas. De ser un personaje secundario y anecdótico, ha pasado a ser el protagonista por excelencia. De ser una caricatura y un argumento guionizado, el dentista se ha ido convirtiendo en un protagonista complejo. Estos cambios influyen en la percepción que el público tiene de la profesión dental, lo que permite esperar una mejor relación entre pacientes y dentistas, con el objetivo de mejorar la salud pública bucodental.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[dentist]]></kwd>
<kwd lng="en"><![CDATA[films]]></kwd>
<kwd lng="en"><![CDATA[dentist patient relationship]]></kwd>
<kwd lng="es"><![CDATA[dentista]]></kwd>
<kwd lng="es"><![CDATA[films]]></kwd>
<kwd lng="es"><![CDATA[relación médico paciente]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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